This week I’ve had the pleasure of watching a few vijay devarakonda movies in Hindi. I have yet to watch some of the movies he has produced in Hindi. But I have watched some of his movies in other languages too.
While watching these movies, I was also thinking how great it would be if vijay were to produce Hindi movies. Now, this is because of the immense amount of money he spent to produce these movies, in fact, he spent $1 billion just on last year’s Hindi blockbuster Rang De Basanti. I understand that he has a lot of money, but he still needs to focus on his own projects.
I’ve finally finished the first part of this book. It’s time to get the hell out of the way of the final project, but I need to know how to get started on a second project. We’ll see how I can get started when I finish the first project after the first one.
This project involves doing something very specific to the Hindi film industry. In India, there are two kinds of films: those made by very large studios who have a huge budget and large casts and those made by smaller studios who don’t have these things. The two types of films are quite opposite. The very large studios make films that are made to look and feel like the movies from the studios they’ve gone to school for.
This means that they take their time and build it with lots of expensive sets and actors and sets and costumes. They also build the story with lots of elaborate dialogues, lots of action, and plenty of blood and gore. The small studios are more likely to have actors who are good at acting and know how to do a scene well.
Well, the very large studios are the ones that made the majority of the movies that came out during the 90’s that were popular around the globe. The very small studios are the ones who made the small blockbuster films in the 80’s and 90’s that were popular at home but not overseas.
There are different types of moviegoers. Some like action-packed movies featuring intense fights, blood, and gore. Others are more interested in non-violent pictures that are not always that intense. Then, there are the very large studios, who, because they’re the only ones who can afford the budget and the writers who know how to make the best use of the story, have a bigger influence over the way movies are made.
In the 80s and 90s there were many blockbuster movies that did not translate well in other countries. There were many films that did not have a lot of local appeal. There were many films that were popular in the US but not in other countries. These films were a hit with the audience because the audience was not interested in the violence and blood. They wanted a non-violent movie that was more of a love story or a comedy or a drama.
The problem is that these films were made with the intention of being shown in other countries, but not in a format that was likely to translate well to the target audience. It’s like the American film industry trying to make a film that they had no hope of making in the US and then having it translate well to other countries. The problem is that most of these films were not directed by Indians.